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A coffin to bury the statues of the ­ancestors
A coffin to bury the  statues of the ­ancestors

Clémentine Deliss

The Repatriation of the White Cube

I was initially slightly sceptical of the ramifications and undertones of Renzo Martens’ project in central Congo. But as I found out on a recent visit to Lusanga in DRC, it is precisely the complexity and radical ambiguity of the enterprise that provides it with both artistic as well as socio-economic and political relevance. The work operates across several registers, each with its own context and syntax, be it within farming or art. What really convinces me is the equity...
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  • colonial history
  • colonialism
  • museum
  • Africa
  • contemporary art
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Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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On Gestational Communism

Marie Glassl, Sophie Lewis

On Gestational Communism

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  • birth
  • community
  • critique of neoliberalism
  • motherhood
  • family
  • social movements
  • communism

 

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Mama Say Make I Dey Go, She Dey My Back

Jelili Atiku, Damian Christinger

Mama Say Make I Dey Go, She Dey My Back

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  • body
  • spiritism
  • feminism
  • ceremony
  • Africa
  • performance
  • colonialism
  • ritual

 

»Self-censorship is the worst.«
»Self-censorship is the worst.«

Lars von Trier in Conversation with Mehdi Belhaj Kacem & Raphaëlle Milone

We land in Copenhagen after only an hour’s sleep the previous night. We travel a long way by subway to a residential area on the edge of the city: large houses with gardens and woodland, almost no one around. We finally find the address we’ve been given. We approach the house through the garden, and we’re immediately in a film by Lars von Trier: a black limousine, a small shack that might be an office with a computer and piles...
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  • cinema
  • contemporary art
  • Evil
  • film
  • film d'auteur
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Stephen Barber

An immodest proposal

J.G. Ballard’s self-declared ‘Immodest Proposal’ for a global war-­alliance to exact the destruction of America demonstrates the provocatory zeal of his last fiction plans, as well as their enduring prescience. As Ballard emphasises several times in the World Versus America notebooks, he is utterly serious in his concerns and visions.
Although the Ballard ­estate declined permission for any images of pages from the World Versus America archival notebooks to accompany this essay, any member of the general public interested to do so can readily visit the British Library and view the notebooks in their entirety in the freely-­accessible manuscripts collection there.

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